artprojectdepot
  • Home
  • Projects
    • In progress >
      • Talks
      • Alien Number
    • Supported >
      • Personal Utopias
      • #stateofexception
      • Digital Aesthetics
      • THE SHIP OF THE FOOLS
      • H O T E L
      • Signs of sound
      • WEEKDAY PSYCHEDELIA
      • H 220
      • DISSECTION OF THE MEMORIES
      • ON THE SUSPENSE OR HOW TO HIDE A BOMB UNDER THE TABLE
      • Nadezhda Oleg Lyahova. FRAMES
      • Sofia Queer Forum
      • Time Geometry - Practices in Public Environment
      • Apocalypse in China Town
      • Dwelling in travel
    • Archive >
      • The State Museum of Oriental Art presents: The Bilge Collection. A glimpse into the modern Turkish art
      • ALCHEMY OF THE IMAGE
      • A Theory of the present
      • AKBANK CONTEMPORARY ARTISTS PRIZE EXHIBITION FUTURE PASSED
      • Redefining the space of everyday life
      • Unlimited 2011, Sofia
      • THE HYPNOSIS PROJECT
      • Awards of M-tel 2008, Varna
      • Awards of M-tel 2007, Plovdiv
      • Awards of M-tel 2006, Sofia
      • Awards of M-tel 2005, Vienna
      • Awards of M-tel 2005, Sofia
  • Art Project Book
    • About
    • Recent Publications
    • Archive >
      • Autonomy or Elitism? A Critical Glance at the 54th Biennial of Venice
      • Interview with Jacqueline Uhlmann
      • After the Flight
      • civil position
      • concert-performance STROMORCHESTER, Surprise Symphony
      • ABC. Contemporary Belgian Art
      • Antistatic 4, The new man
  • Collection
< Projects < Supported projects < WEEKDAY PSYCHEDELIA
Picture

WEEKDAY PSYCHEDELIA


Plus 359 Gallery, Sofia
5.10. – 26.10 2018  
 
George Ruzhev
Elisabeth Molin
Eden Mitsenmacher
Tom Lock
Rada Boukova
 
Curated by Irina Batkova


Psychedelic states describe changes in human perceptions that cause synesthetic states. They are the result of activating connections between the different brain areas that are specialized in processing information from different senses. The term "psychedelic" derives from the ancient Greek words psuchē (ψυχή - psyche, "mind") and dēlōsē (δήλωση - "manifestation") and translates as "manifestation of the mind". In everyday life we perceive the signals coming from the senses separately, autonomously - we see colours, we hear sounds, and we feel touching. In the case of synesthetic states, this modality is mixed up and people "see sounds", "hear colours", etc. Typically, psychedelic states are associated with taking various stimulants known from ancient ritual practices of cultures that are subject to anthropological and archaeological research. The authors, whose video art is displayed within this project, present the dynamics of the present whose various communication channels attack us daily with images, sounds, colours and shapes, which constantly provoke our sensitivity, creating an ongoing catalyst of unexpected thought connections. The visual perception of this information flow passes through personal experiences and proficiencies to awaken unexpected memories and associations that, mixed with subjective emotional experience, create a hyper-reality, in which consciousness mixes images, colours, as well as the hypnotic impact of everyday objects whose monotonous physical movement creates a sense of existence beyond time and recognizable inhabitable space. The paintings that consciousness constructs in a psychedelic state can only be compared to the images that fill a dream, which, according to Ludwig Binswanger, is nothing but a certain way of Human "Being-in-the-World”. Michel Foucault regarded dreaming "as the return of radical freedom to the human subject - paradoxically reveals the movement of freedom to the world, reveals that primordial point, from when freedom begins to exist." This selection of works by George Ruzhev , Elisabeth Molin, Eden Mitsenmacher, Tom Lock and Rada Boukova analyse various aspects of the factors that stimulate human perception toward imagery, provoking the standard logic of perception with a maze of visual plots that put the viewer in a position to rethink the options of their own perception and description of the world.
 
George Ruzhev captures the senses with a spectacular kaleidoscopic theatre, subordinated to the idea of the existence of modern man in a world of total information oversaturation. The author visually defines the problem with the "situational identity" of modern man, existing in environment of over dynamism, on the boundary between the virtual and real. Ruzhev perceives the identity of characters and political figures from different times by situating them in a psychedelic space, which through the social networks can instantly become part of the network of a global information exchange.

Elisabeth Molin combines images and sounds of everyday life, creating a general picture that seems to have been taken out of the subconscious of a human being, who has sealed the visual details, weekly noise, music, and conversations that have impressed him in a specific period. The newly created reality works on several levels. It comments on the subjective individuality of the mechanisms of perception of the world registering the way the human mind creates a surreal reality that, like a crystal structure, reflects equally perceptions of a different order. The fact that these perceptions are not connected in a coherent narrative refers to unstable thought patterns that describe the world not as an ever-questionable entirety, but as a place where both past, present and future exist, a place that constantly changes at a speed that we cannot even register.

Eden Mitsenmacher uses pop culture as a frame of reference for social and personal critique but also as a way to create familiarity and accessibility. Sharing and connecting experiences between an I and a You. Presenting hyper-worlds, built from cultural stereotypes and clichés, then pushed to the brink of emotional overload. Kitsch is a conscious strategy in her research and practice. As one of the many individuals who are experiencing the confusion and struggles in the current macro environment, she is interested in the doubts, curiosity and cognition for the potential new value orientations and its unpredictable future possibilities.

   Tom Lock compiles mystical and symbolic figures whose images are used in historical children's books, movie images, TV shows, comic graffiti, ads, etc. In his works, Lock analyses the mass media flow, which, combined with the dynamics of modern life, is interpreted in the colourful and psychedelic aesthetics, which often moves between joyful and melancholic moods and states. Lock often collaborates with musicians and sound artists, regularly using these discursive relationships to create a platform for reflecting on and understanding the development of ideas and decision making.  

Tangible objects that are removed from the meaning of their everyday use, find place in the works of Rada Boukova. Rada creates new fields of unexpected associative links that challenge the viewer to compose narratives that change the perspective of observation and turn the observer into a researcher of their own living environment and its opportunities to produce new, unexpected discourses.
     


photography: © 2018 YANA LOZEVA
Picture

SUPPORTED PROJECTS


ON THE SUSPENSE OR HOW TO HIDE A BOMB UNDER THE TABLE

NADEZHDA OLEG LYAHOVA. FRAMES

SOFIA QUEER FORUM


APOCALYPSE IN CHINA TOWN

TIME GEOMETRY- PRACTICES IN PUBLIC ENVIRONMENT


DWELLING IN TRAVEL

MORE PROJECTS

Picture

PROJECTS IN PROGRESS


TALKS
ALIEN NUMBER

PROJECTS ARCHIVE


UNLIMITED 2011, СОФИЯ
THE HYPNOSIS PROJECT

AWARDS M-TEL 2008, VARNA
AWARDS M-TEL 2007, PLOVDIV
AWARDS M-TEL 2006, SOFIA

AWARDS M-TEL 2005, VIENNA

AWARDS M-TEL 2005, SOFIA



RECOMMENDED

Picture
Picture
UNLIMITED 2011, SOFIA
Picture
TALKS:
Picture
Peter Tzanev:
Autonomy or Elitism? A Critical Glance at the 54th Biennial of Venice


LINKS


Picture
VITOSHA GALLERY

Picture

ABOUT US

Art Project Depot is an independent platform established in 2005 by Irina Batkova - writer, curator, artistic director of gallery + 359. The focus of our activity is exhibitions that reflect on the social environment and its political, economic, cultural and historical parameters, projects in public spaces, land art and new media. Art Project Depot supports new artistic research practices that provoke discussions on a wide range of topics and issues related to the contemporary world. Our work program includes exhibitions aimed at promoting different generations contemporary Bulgarian artists, as well as partnerships for joint productions with foreign artists and independent organizations.

ISSN 2367 - 9506
Copyright © 2011 - 2020   DIKE IB Ltd  
Picture

       PARTNERS


  • Turkish Painting and Sculpture Museum Association
  • National Academy of Art Sofia
  • Culture Center Sofia University
  • Kunstverein (Milano)
Picture

CONTACTS

FOLLOW
. . . . . . .
Picture
Picture
Picture